BLENDING GENRES

 


BLENDING GENRES

It can be a delicate art. Action/Adventure, Sci-Fi/Action, Sci-Fi/Thriller, and Comedy/Drama are all classic combinations that work. But caution is key when venturing beyond these boundaries. I once reviewed a script that was a hodgepodge of Sci-Fi, Comedy, Drama, Musical, and Western elements. Imagine space cowboys and musical showdowns—quite the chaotic concoction. Experimentation is part of the creative process, but remember, moderation is your ally. Once you’ve made your mark as a seasoned writer, then you can play with genre conventions. Take, for example, a script that aimed to mimic Pulp Fiction’s dark comedy but missed the mark on both humor and entertainment. Its climax, featuring a hitman’s heinous acts, was far from comedic. It’s a stark reminder: know your genres and strive for harmony in your storytelling.



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GET THE WORK DONE...

 



GET THE WORK DONE

Writing is a daily discipline for me, a commitment I uphold nearly every day. It’s not always about churning out pages; sometimes it’s organizing thoughts, outlining, or refining ideas. Each day, I dedicate anywhere from half an hour to six hours, depending on whether I’m drafting or revising. This routine, which spans 5 to 7 days a week, is crucial for maintaining momentum and productivity. As for my writing spots, they’re as varied as life itself. From the tranquility of beaches to the bustle of coffee shops, I find inspiration in the energy of life around me. While home offers comfort, it’s the vibrancy of public spaces that truly fuels my creativity. To me, these writing sessions aren’t work; they’re a joyous exploration of endless possibilities that a blank page represents. For fellow writers, I say: find your own haven of creativity and make writing a consistent part of your life. It’s all about putting in the effort and letting the words flow.



Follow my journey from idea to 
award-winning short horror film...

PASSION?

 

A few years back, a producer with whom I had previous engagements approached me with a proposition: to write a screenplay about Edgar Allan Poe. This producer wasn’t just anyone—he had a string of produced films to his name, and the opportunity seemed ripe with potential. He was even willing to offer a reasonable sum for my writing services.

        He shared his vision for a script that would delve into a particular chapter of Poe’s life. On paper, it was intriguing. Yet, internally, I hesitated. My passion didn’t typically lie with tales of 19th-century poets and authors, even if they were as enigmatic as Poe. Nevertheless, the allure of the project’s challenges won me over. I convinced myself that there was a compelling narrative to be woven from Poe’s tumultuous life and controversial marriage to his cousin.

        Contracts were drafted, meetings ensued, and a commencement check landed in my bank account. I rolled up my sleeves and got to work.

The following eight weeks were a testament to perseverance. While sparks of enjoyment and fascination occasionally broke through, the truth was that my heart wasn’t fully committed to the story. Despite this, I powered through, piecing together a 110-page screenplay that I dubbed the “first draft”—a term I use loosely, as it was more akin to a third or fourth iteration.

I sent off the draft to the producer, laden with the premonition that it might not meet his expectations. It was a script born not out of pure inspiration but out of a sense of obligation—a reality that weighed heavily on me.

A few days after submitting my script, the producer, a connoisseur of dining and deals, invited me out for lunch—a setting he favored for discussions. We met the next day, enjoyed a pleasant meal, and then he shared his thoughts. He appreciated the script’s intriguing moments and sharp dialogue, but felt it wasn’t steering in the direction he envisioned. Consequently, my involvement with the project came to an end. No hard feelings, though. In fact, months later, he enlisted my skills for a rewrite on a contemporary thriller—a genre where I truly thrive.

This experience reinforced a valuable lesson for me: Write with passion, write what resonates with you. Anything less is a disservice to yourself and, if you’re being compensated, to the person funding your work. Passion is the pulse of authentic writing; without it, the words may exist, but the soul of the story remains elusive.



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DON'T TAKE “NO!” FOR AN ANSWER!

 

My real-world experiences are a testament to the unpredictable nature of the industry and the value of perseverance.

Once upon a time, I handed my horror script to a “respected” screenplay analyst. He was on the hunt for scripts to produce. After a couple of weeks, he delivered his verdict: “Sorry, I just don’t care for it.” Ouch. But little did I know that this seemingly discouraging moment would lead to unexpected twists. In the years that followed, I managed to option that very same script to not one, but two production companies that saw its potential. It turns out that while the analyst didn’t see the magic, others did. Lesson learned: one person’s rejection doesn’t define your script’s destiny. But the rollercoaster ride continued. 

My manager arranged a meeting with a director who hungered for fresh scripts. I pitched three ideas: two horror scripts and one thriller. The director’s response? He dismissed the horror concepts outright—no love there. However, the thriller idea caught his attention. He requested to read it. Hope bloomed. A week later, the director’s verdict arrived: “Thanks, but no thanks.” Disappointment? Sure. But then fate intervened. A few months down the line, I optioned that very same thriller script to a production company that embraced it with open arms. They loved it enough to renew the option after a year. Suddenly, my script had a new lease on life. And here’s the kicker: those two horror scripts the director didn’t care for? Well, I went ahead and optioned BOTH of them over the next few years. Turns out, even rejection can’t stop a determined writer. 

In 2005, I was inspired to create a collection of interviews with screenwriters who were actively earning their livelihood through their craft. These weren’t necessarily the marquee names but rather the unsung wordsmiths of the industry. Despite my enthusiasm, publishers were less than optimistic. The responses ranged from “Interview books don’t sell,” to polite rejections wishing me luck. Undeterred by the lack of publisher interest, I pursued the project with vigor. I quickly connected with 16 screenwriters, each sharing their unique journey and insights. To my delight, David Trottier, author of “The Screenwriter’s Bible,” agreed to pen the foreword, adding a touch of prestige to the endeavor.

I took the plunge into self-publishing, releasing Q & A: The Working Screenwriter as a paperback in 2006, followed by an e-book version years later. The book’s journey has been gratifying, to say the least. It’s performed admirably over time, even opening doors to opportunities such as being invited to speak at the Scriptwriter’s Network—an honor that speaks volumes about the book’s impact and reach.

I recall a producer, a seasoned gentleman with a flair for the artistic, who took a shine to my horror screenplays. His track record with art-house films was impressive, and his interest in my work was a promising sign. Initially, he secured an option on one of my scripts, and about a year later, he did the same with another. He embarked on the arduous journey of fundraising for both projects. Despite his efforts and our shared optimism, the financing didn’t come through. Yet, this twist of fate didn’t dampen his belief in my writing. Recognizing the potential in my words, he commissioned me to pen two additional screenplays. This time, it was more than just an option; it was a job that came with a genuine paycheck.

Once upon a time, back in the '80s, I penned a stage play—a labor of love, fueled by creativity and a dash of audacity. But it wasn’t until 2006 that I revisited that old script and thought, “Maybe it’s time to breathe life into these words.” Navigating the murky waters of play production was uncharted territory for me. Armed with determination, I reached out to an actor I’d met—an actor who also happened to own a theater. Fate smiled upon me; he was actively seeking plays to produce. I sent him my script, and his response was music to my ears: he loved it! The wheels were set in motion—casting, staged readings, rehearsals—all the ingredients for a theatrical feast. But then, like a magician’s vanishing act, he disappeared. The project fizzled out, leaving me with dashed hopes and a lingering question mark. Undeterred, I fast-forwarded to 2009. Perhaps lightning could strike twice? I queried various theater groups, bracing myself for the familiar chorus of polite rejections: “No thanks,” “Not our cup of tea,” “Too many characters.” It seemed my play was destined to remain in the shadows. And then, like a beacon in the fog, came the golden response: “Yes, we love it!” Finally, a theater group saw the potential. The curtains rose just a couple of months later, and my play took flight. True, it only graced the stage for three weeks, but those were three weeks of magic—the kind that lingers in the hearts of both creators and audiences. So, here’s to the tenacity of the human spirit and the resilience of words. My play may not have conquered Broadway, but it danced under the spotlight, and that, my friends, was a sweet success!

Countless tales echo the same truth: the unpredictable nature of life’s journey. One moment, a door may close, casting shadows of doubt; yet, in the next, another door swings wide open, ushering in a beam of opportunity. It’s the serendipitous dance of chance and endeavor. But amidst the pursuit of writing—a craft that can be as rewarding as it is challenging—lies the essence of existence. To truly live is to embrace the world beyond the written word. Cherish moments with family, bond with friends, travel to distant lands, and immerse yourself in adventures. These experiences enrich not only the soul but also the stories we tell. As you navigate the writer’s path, let your passion fuel your craft. Send your finest work into the world, persist with tenacity, and hold fast to hope. Never surrender to the siren call of defeat. The road may be strewn with trials, but it’s also lined with unexpected joys. Stay the course, and you may just find yourself marveling at the wondrous tapestry of events that unfold. May your life be as vibrant as your narratives, and may your stories reflect the fullness of your lived experiences. Keep writing, keep living, and let the surprises of life inspire you!


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Patience is a virtue...

 

I recently came across a post from a budding screenwriter on a forum, riddled with anxiety as he awaited feedback on his submitted script. His distress was palpable, and while many offered sound advice, I felt compelled to share my perspective. Screenwriting is not for the faint of heart. It’s a tumultuous journey, filled with highs and lows, and not every script will receive the attention it deserves. You might find yourself in a void of silence after submitting your work or strung along with promises of “I’ll get to it soon” that lead nowhere. Occasionally, you’ll encounter someone who adores your script, and for a brief moment, everything seems perfect—until they vanish, leaving you with unanswered calls and emails. And sometimes, you’ll collaborate closely with a producer, revising your script, discussing casting and locations, only to have the project abruptly canceled. It’s a harsh reality, but it’s the nature of the business. The key is to remain undeterred. Always have another script in the works and never hinge all your hopes on a single project. Waiting on responses from agents or producers can be maddening, so keep writing, keep creating, and stay grounded. Embrace the unpredictable scriptwriting journey with resilience, and remember, every setback is a setup for a comeback. Keep pushing forward and let your passion for storytelling be your guiding light. 




Follow the journey from idea to 
award-winning short horror film: 

A Beast is Born!

JUMPIN' THROUGH HOOPS...

 


JUMPIN’ THROUGH HOOPS—AND NOT EVEN GETTING’ PAID FOR IT!

 

Screenwriters often voice their frustrations about endless rewrites requested by producers who’ve shown interest in their work. These aren’t the producers actively developing a project; they’re the ones who dangle the carrot of potential production. The term “producer” is used loosely here—many claim the title without the credentials to back it up. They might be well-intentioned, promising to bring your script to life on screen, but without tangible results, these promises don’t pay the bills.

Imagine you have a script that a producer “loves”—a term you’ll hear often—but insists it needs more polishing. Eager to please, you dive into revisions, often without compensation or a guarantee of production. It’s a precarious position, working on faith that this person can deliver. But who is this “producer”? What’s their track record? Are they industry veterans or newcomers?

The reality is, this producer likely has multiple scripts in the pipeline, each at different stages, hoping one will lead to a production deal. Whether yours will be the chosen one is uncertain. But being considered is a step in the right direction, even if the path ahead is unclear. It’s a common hurdle in the screenwriting journey, one that requires patience and a bit of optimism.

The crux of the matter is compensation for rewrites. It’s unlikely that a producer expressing interest is paying you for these revisions, nor is it probable they’ve formalized the relationship with an option agreement and meaningful financial commitment.

The notorious dollar option deal is a red flag. It’s a token gesture where a producer offers a nominal sum to legally option your script, often just enough to buy a coffee. This should prompt caution; if a producer truly believes in your work, they should be willing to invest more substantially.

The amount that constitutes “substantial” varies, but it’s a measure of the producer’s commitment. A genuine producer will put their money where their mouth is, providing some financial assurance of their intentions.

Beware of the chummy facade some producers may adopt. While they may sing your praises during the option period, their tune often changes if they fail to advance your script. Remember, in Hollywood, business relationships often masquerade as friendships. It’s a tough industry, so navigate with caution and keep your wits about you. There are indeed sharks in these waters.



THE OUTLINING PROCESS (PT. 2)

 


THE OUTLINING PROCESS PART II: GO IN-DEPTH

 

In crafting a more detailed outline, we delve into the specifics that bring the story to life:

 

Joe’s Workday: We open with Joe at his job. What’s his profession? He’s in a luxurious office, indicating a high-ranking position. He has a private secretary and is surrounded by colleagues he’s known for years, including his friend Ron.

 

The Drive Home: Joe’s journey home in his upscale car, listening to jazz, sets a relaxed tone. He arrives at his expansive house, noting another car in the driveway—his wife’s.

 

Home Life: Inside, Joe’s actions are routine: checking mail, loosening his tie, pouring a drink. He settles into work at his home office desk.

 

A Troubling Discovery: Time passes, and Joe notices his wife’s absence. He searches the house, leading to a grim discovery in the bedroom—his wife, lifeless, a victim of strangulation.

 

Police Interrogation: A detective questions Joe, probing into their marriage and fidelity. Joe’s responses paint a picture of a troubled but loving relationship.

 

Return to Normalcy: Days later, Joe struggles to focus at work. Ron offers support and invites him out, but Joe declines, still enveloped in grief.

 

An Unexpected Encounter: At a local bar, Joe meets Carla, sparking a connection. They bond over drinks and shared experiences of heartache.

 

A Night with Carla: The scene shifts to Jill’s modest home, where passion ignites between her and Joe, leading to an intimate night.

 

Another Shock: The next morning, Joe awakens in Carla’s bed, alone. A voicemail hints at concern for Carla’s whereabouts. Joe’s search ends in horror as he finds Carla’s body in the bathtub, echoing his wife’s fate.

This expanded outline provides a richer narrative, setting the stage for a complex tale of mystery and emotion. It’s the intricate details that transform a simple plot into a captivating screenplay.

Details are the essence of storytelling. They enrich the narrative, bringing it closer to a vivid reality. As you continue to refine your outline, adding dialogue and subtle intricacies, you’ll gain an increasingly sharp vision of your screenplay. By the time you’re ready to draft, you’ll have a comprehensive understanding of your characters and plot points, essential for weaving a compelling and marketable story.

Outlining is often misunderstood as a constraint on creativity, but it’s quite the opposite. It’s a canvas for your imagination, allowing you to visualize your film in its entirety before committing to the full script. It’s far more efficient to tweak a 20 to 40-page outline than to overhaul a cumbersome screenplay.

Remember, an outline isn’t a rigid contract. It’s a guide that you can diverge from as your characters evolve and your story unfolds. Discovering new paths along the way is part of the creative process. By ironing out the details early on, you ensure that your narrative arc is solid from start to finish, smoothing out the journey through those 110 pages.




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